Mar 10


Opening reception: January 27th, 7-9pm 

On view through March 10th


Brooklyn Brush

203 Harrison Place

3rd Floor - Suite 301

Brooklyn, NY 11237

Please find more info here:




6:00 pm18:00

Off-Site Channeling

Territorial Behavior

Exhibiting Artists : 

Ekaterina Aksenova
Claire Falkenberg
Christina Martinelli
Alexa Punnamkuzhyil

Curated by Danielo Garcia / Open Projects

Opening Reception: Saturday Dec 10, 2016 - 6pm-9pm
On view: Dec 10 - Jan 1, 2016
Show hours: Sundays 1-4pm and by appointment. 

When invisible currents meet at a given location the resulting convergence may trigger the bodily frequencies of an individual. Even after migrating from that location, this convergence may leave a lasting impression on us. We experience it, absorb it and it becomes part of us. Off-Site Channeling is a group show featuring works that may be read as channeling to a certain location or unknowable state of being, leading to their particular physicality.


Ekaterina Aksenova works predominantly in the medium of sculpture and utilizes a wide range of materials such as paper, plaster, ceramic, wood, etc. She graduated with Bachelor of Arts from Hunter College, NYC in 2013. During the past years, Ekaterina participated in exhibitions in the NYC area as well as abroad in Russia and Japan. Her most recent works have been greatly inspired by the ideas of assimilation and inclusion. By examining personal identity, Ekaterina works attempt to inhabit the physical space and claim its interior with patterns made up of sections of the body. Born in Voronezh, Russia, she now lives and works in New York City.

Claire Falkenberg has been awarded grants from the Canada Council for the Arts, Ontario Arts Council, and the Sheila Hugh Mackay Foundation; fellowships from Willapa Bay AiR, and Ucross Foundation; residencies from Vermont Studio Center, La Fragua Artist Residency, and Chashama North. Recent exhibitions include Dose Projects, Brooklyn, NY; Katharine Mulherin Contemporary Art Projects, Toronto, Canada; Campbell River Art Gallery, Campbell River, Canada; Inman Gallery, Houston, TX. Claire Falkenberg was born in Toronto, Canada, and now lives and works in Brooklyn, NY.

Christina Martinelli received her MFA from the Rinehart School of Sculpture at the Maryland Institute College of Art in 2010 and her BA with a focus in Visual Art from Bennington College in 2008. She has exhibited at Conner Contemporary, Washington, D.C.; Open Space, Baltimore, MD; Endless Chinatown, New York, NY; Pent House Gallery, Baltimore, MD and others. She has attended residencies at SÍM Residency, Reykjavik, Iceland (2016); The Kimmel Harding Nelson Center for the Arts, Nebraska City, NE (2016); and The Wassaic Project, Wassaic, NY (2015). Born in New York City, she lives and works in Brooklyn, NY.

Alexa Punnamkuzhyil is an interdisciplinary artist whose work engages the poetics of biological and social systems. Drawing on scientific inquiry and medical discourse, her work examines structures of sense and sensation between people, plants, animals and things. She is a graduate of Oberlin College and the University of California, Berkeley. Born in Baltimore and raised in Northern California, she currently lives and works in Brooklyn, NY.

7:00 pm19:00

Body Language


Collaborative project by Ekaterina Aksenova and Amela Parcic
 Opening Reception
 Wednesday, July 27th , 7-10 pm

Closing Reception
Wednesday, August 17th , 7-10 pm
Musical Performance by Amela Parcic and Danny Crump begins at 8pm

 STUDIO 34 Gallery
34-01 38th Ave, 4th Floor, Long Island City, NY


Body Language is a collaboration between Amela Parcic and Ekaterina
Aksenova. Using a combination of sculpture and video projection, we
investigate the architecture of the body and how it occupies space.
Becoming more and more transient, people are no longer tied to any
particular place in the world. Our body is the most permanent home we
 have, our identities are no longer fixed to a particular place.
Language then becomes the main distinguishing part of our identity. In
sculpture, the process of recreating an object in another material
often transforms its physicality and the end result is never quite the
same as the original. As it does in the translation of a sentence from
one language to another, the loss and gain of information that occurs
in the process of reproduction is the point of departure for this
Jul 2

Light is Dark

  • Immersive Gallery

Ekaterina Aksenova’s installation of sculptures is titled “Cave Dwellers”. It is a meditation on visual perception that questions what it means to really “see”. The title references Plato’s philosophy “Allegory of the Cave” where he is proposing the idea that what we believe is real might be just an appearance of the reality. He writes a story about the cave prisoners who are chained and unable to move their heads. Throughout their entire lives they have been facing a blank wall in front of them. They are convinced that the reality consists of only the shadows that are cast on the wall until one prisoner is freed and realizes that what they have been looking at throughout their whole lives was a mere projection of the world and not the world itself.

Unlike in Plato’s cave, the installation reflects a world of people whose visual senses are oversaturated with visual information. They reflect the laborious burden of looking but still fail at “seeing”. They demonstrate the need for reflection and show that facing the right side of the cave is still not enough. To “see” they must turn to other senses and find new ways of experiencing the world around them. 

Facebook Link to the event: https://www.facebook.com/events/1745302559046635/?ti=icl



Nov 11

"БРУРАЛ: Оболочка Свободы. Сломано/Сделано"

  • Нижнетагильский Музей Изобразительных Искусств.

 The second exhibition "BRURAL: Skin of Liberty. Fractured/Re-structured"  will be held in Nizhny Tagil Museum Or Art in Russia. The exhibition will run parallel with the III Ural Industrial Biennial of Contemporary Art. 


Нью-Йорк и Нижний Тагил, казалось бы, два совершенно разных и далеких друг от друга города: один - грандиозный мегаполис, другой – небольшой индустриальный город, расположенный в середине России, но и у них есть точки соприкосновения. В Нью-Йорке наверняка мало кто знает о том факте, который упоминается во всех туристических путеводителях по Уралу, согласно одной из версий - знаменитая статуя Свободы сделана из меди, добытой на тагильских рудниках, принадлежащих промышленникам Демидовым. 
Развитие демидовских железоделательных и медеплавильных заводов, известных под торговой маркой «Старый соболь», привело к мировой известности нижнетагильской продукции. Листовая медь из Нижнего Тагила была отмечена наградами на Всемирных выставках в Париже и Бирмингеме, а затем привлекла внимание скульптора Ф. Бартольди, закупившего медные листы для создания наружной оболочки Статуи Свободы в Нью-Йорке.
Название проекта «БРУРАЛ: Оболочка свободы. Сломано\Сделано» двухчастное, и если "Оболочка свободы"- это история про медь для статуи свободы, то вторая часть"Сломано\Сделано" отсылает к творческому методу, которого придерживаются приглашенные художники – это эстетические эксперименты, предметом которых могут стать руины вещей и идей, газеты и журналы, городские пространства и архитектура и т д. Для проекта были приглашены тагильские и американские художники, представляющие различные творческие стратегии, формы и технологии современного искусства. Объединяющим фактором стали эстетические эксперименты с визуальными вариациями современной реальности. Художники берут как своего рода readymade индустриальную и постиндустриальную культуру, пространство новых медиа или современные социальные контексты. Во вторичную (художественную) переработку годится все: городское пространство и архитектура, мусор, газеты и журналы, руины вещей и идей. Художники своей волей, часто следуя партизанскими методами, изменяют саму суть явлений и предметов, меняют их структуру, тем самым проявляя новые смыслы.
На выставке будут представлены работы художников из Нижнего Тагила и Нью-Йорка в жанре видео, фото, коллажа и инсталляции.



Aug 23

Archimedes' Bathtub

  • Lorimoto Gallery

Archimedes’ Bathtub is a show of work by the New York Foundation for the Arts (NYFA) 2014 Immigrant Artist Mentoring Program curated by Julian A. Jimarez Howard. 

Opening Reception and block party: Saturday, August 8, 2-6pm
On View: August 8 - August 23, 2015
Gallery Hours: Thursday - Sunday, 1-6pm

Featured artists include:
Ekaterina Aksenova
Julio Austria
Karine Baptiste
Cândida Borges
Liene Bosquê
Alva Calymayor
Natalia Cavalcante
Sophia Chizuco
Helen Dennis
Katya Grokhovsky
Kiana Honarmand
Denise Iris
Mersiha Mesihovic
Ido Michaeli
Suyeon Na
Eva Nikolova
Amela Parcic
Sepideh Salehi
Runn Shayo
Claudia Sohrens
Denise Treizman
Tuo Wang

Archimedes’ Bathtub takes its name from the over 2000 year old tale in which the storied Greek scientist discovered the answer to a question regarding the purity of a King’s crown by observing the rising of water as he settled into his bathtub; realizing that the phenomenon of aquatic displacement was a metric for determining the volume, then density, and subsequent purity of the State’s embodiment, Archimedes ran naked and jubilant through the streets shouting “Eureka!” This is often presented as a narrative of singular genius in service to mathematics (or a sovereign), however, it can also be seen as a metaphysical parable in which an individual can better observe the volume of their being in the displacement of that which surrounds them. 

By using the more novel assessment of volumetric displacement as a metaphorical guidepost, this expansive exhibition brings together the work of 22 foreign born artists, all participants in the 2014 edition of the NYFA’s Immigrant Artist Mentoring Program. Ranging in mediums, the politics of space and body eke themselves through sculpture and drawing, through videos, installations, photographs, paintings, and performances. These varied works vividly assert themselves as comments on the textured shape and fragility inherent to societal notions of reality, while simultaneously reflecting the idiosyncrasies of the commenter’s own filtered view as strangers in a strange land. Indeed, the artworks then, are the observed effect of our own displacement wading through the muddy waters of culture.

Show organizers:  Sophia Chizuco and Liene Bosque